A shirt collection for men, likely to be stolen by women.
Founded in 2019, Charles Sébline’s namesake label begins with a singular obsession: the shirt. A graduate of Central Saint Martins, Sébline trained under some of fashion’s most revered figures—Vivienne Westwood, Azzedine Alaïa, and Yves Saint Laurent among them. Those formative experiences sharpened his eye for cut, fabric, and gesture, but also gave him a reverence for the icons who shaped modern style. Loulou de la Falaise’s irreverence, Tom Ford’s precision, and Westwood’s daring all echo, quietly, in his work today.
What distinguishes Sébline is his commitment to doing one thing exceptionally well. Seasonless and exacting, the shirts are rooted in tradition yet never bound by it. Stripes in unexpected proportions, jolts of color, and embroidery hand-stitched by a women’s collective near Marrakech transform the archetypal men’s shirt into something androgynous, expressive, and quietly subversive. The result is a wardrobe constant that feels both essential and rare.
Recognition came quickly. Sébline’s work has been featured in Vogue, Elle, Vanity Fair, and other leading publications, while finding its way into the wardrobes of a discerning international clientele. His iconic Breton stripe bib shirt, inspired by couturier and family friend Neil Munro “Bunny” Roger, captures the essence of the brand: a respect for heritage, filtered through wit, elegance, and a refusal to compromise.
In the end, Sébline is less about reinvention than refinement—the belief that one garment, honed with precision and imagination, can speak volumes.
